This free sans-serif font has been created by me for use by the faculty and students at Baptist Bible Seminary. ĭesigner of the Hebrew truetype typeface BenEzra (2002). Schmiedel at AFS Limited: 7815 La Cabeza, Dallas, TX 75248. Īlex, Chaya, Rashi, Ruth Fancy and Tzipporah (1992) are free Hebrew fonts made in 1992 by Aaron D.
#FREE HEBREW FONT ARCHIVE#
Local archive of his 2004 talk at stBride. It showed up at as Noam Text at MyFonts in 2020.Īt ATypI 2005 in Helsinki, he spoke on Hebrew type. It was eventually published by TypeTogether in 2013, with assistance of Liron Lavi Turkenich. His Latin/Hebrew typeface Noam (2003) won an award at TDC2 2004. Aleph=X is the title of his talk on bad contemporary Hebrew type, given at 2004 St. Adi has won various awards including those of the Israel Cultural Excellence Foundation and the New York and Tokyo Type Directors Clubs. Since 1994 he has run a Tel Aviv-based studio, focusing on design for the cultural domain.
Adi Stern teaches Hebrew typography at the Bezalel Academy of Art and Design in Jerusalem, Israel. Graduate of the University of Reading (where he obtained an MA in Typeface Design), who runs Adi Stern Design in Tel Aviv. In 2012, he created the fresh Latin geometric monoline slab typeface Virasto Slab. Haifa, Israel-based codesigner, with Moshe Sabach, of the experimental geometric Hebrew typeface Shpitz (2013). He created the Hebrew typefaces Vardi MF (2005), and Kikar Dizengof MF (+Square). At Masterfont, she published the Hebrew typefaces Academia MF, Ada MF, Daphna MF, Hagit MF (2020) and Rephael MF. The second printing in 2002 was done by Oak Knoll Press. She wrote The Book of Hebrew Script: History, Palaeography, Script Styles, Calligraphy and Design, 1997. in ancient Semitic languages, paleography and epigraphy from the Hebrew University of Jerusalem. Īda Yardeny (or Yardeni) received her Ph.D. Speaker at ATypI 2016 in Warsaw on From forgotten boxes to Three Pioneers of Hebrew Typography, Moshe Spitzer, Franciscka Baruch and Henri Friedlander, who trained and worked in Germany during the 20s, and since the late 30s took major part in the developing Hebrew culture in Israel, each seeking in his or her special way a "new Hebrew type".Īda Wardi edited The Graphic Design of Moshe Spitzer, Franzisca Baruch, and Henri Friedlaender: New Types Three Pioneers of Hebrew Graphic Design (2015, The Israel Museum, Jerusalem). Art Director at Modan Publishing House, and Senior lecturer at Wizo Academic Institute in Haifa. Israeli graphic designer who specilaizes in book design and book covers. A monospaced monolinear sans family by Zheng Chuyang and Li Zhiqian, covering Latin, Hanzi (Chinese), Arabic, Cyrillic and Devanagari. It was derived from cursive handwriting and Chinese calligraphy. A modern polygonal typeface for Hanzi, by Li Zhiqian. A Hanzi font by Roman Wilhelm that reflects the character of Hong Kong. Covering Latin, Vietnamese, and Hanyu Pinyin, this 6-style typeface family revives the award-winning text typeface Freundschafts-Antiqua made in 1959 by Yu Bingnan.
It covers Latin, Cyrillic and Arabic, including the Persian, Urdu, Uyghur, Kazakh and Kirgiz versions. A poster typeface by Zheng Chuyang, after an idea by Luise Schenker. A pixel typeface for Latin, Arabic, Hebrew, Cyrillic and Chinese by Willie Liu. An attractive Latin / Hanzi text typeface that refers to the Ming Dynasty astronomer / mathematician / scholar Xu Guangqi (aka Paul Siu, 1562-1633). They specialize in multilingual and multiscriptual typography and type matching, in particular for Chinese, Latin, Cyrillic and Arabic. TYPE DESIGN INFORMATION PAGE last updated on
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